Coffee with Nils
Where’d you come from, anyway?
I was born in Alaska actually. I grew up in a tiny little town on the southern coast. I moved to the big city (Seattle) with my family when I was a teenager.
I spent much of my time when I was growing up writing and drawing my own comic books, writing stories (science fiction mostly), drawing science fiction and fantasy imagery, and painting images out of my dreams. And writing. I was writing SF novels, or doing my best to, by the time I was in the fourth grade.
So you were always into the creative side?
Kind of. But I didn’t think I could make a living at it. So in college, I studied everything except art.
I graduated with no clear idea of what I was going to do, then went back to doing what I’d always done: drawing pictures, writing short stories, drawing and painting writing and drawing graphic novels, writing short stories, novels and stage plays, and also working on screenplays (though I didn’t have a clue in those days if they’d really turn into movies).
The first job that I had that meant anything to me was working as a portrait artist down at the Pike Place Market in Seattle. I started piecing together an income doing book and magazine covers, posters, and advertisements, and writing and illustrating graphic novels and comic books.
In the ‘90s, I got into painting, then into computer graphics and created a line of photorealist comics which were published in the United States and Europe.
My work as a writer has included writing songs and poems, short stories, articles, stage plays and screenplays. I love science fiction, fantasy, and political satire. My short story collection, The Hungry Time, was published in 1995.
Tell me more about the acting.
I love acting. I got it originally back in high school. I was lucky to have a high school drama teacher who was both professional and demanding. I did some acting on stage and on-camera, then wrote and produced several stage plays back in the 1990s. One were performed at the New City Theater Directors’ Festival and another at the Seattle Fringe Festival.
And the filmmaking?
How’d you get into teaching?
You’ve done a lot of different things!
People say that, but it doesn’t necessarily feel that way to me. A common element, in my artwork and writing is storytelling. Whether I’m telling a story with pictures or words, using pencil, paint, ink, photoshop or a camcorder, the medium may be different, but the heart of the experience is the same.
Is there a way to support your work?
Contributions are welcome, and free up my time to keep focusing on creative work. Feel free to make one here!